4.1 Machinations

Touch2

Touch / Toucher (2009), Serge Bouchardon, Kevin Carpentier, Stéphanie Spenlé

It may seem paradoxical to propose an artistic web-based creation on touching. One cannot touch directly: touching requires in this case a technical mediation such as a mouse, a microphone or a webcam. This touching experience reveals a lot about

Touch2

Touch / Toucher (2009), Serge Bouchardon, Kevin Carpentier, Stéphanie Spenlé

It may seem paradoxical to propose an artistic web-based creation on touching. One cannot touch directly: touching requires in this case a technical mediation such as a mouse, a microphone or a webcam. This touching experience reveals a lot about

150_phototornado2

200 Castles (2014-), Caitlin Fisher

Created in Unity using the Vuforia plug-in, 200 Castles is an augmented reality piece for iPad about time, longing, and magical spaces set in both the domestic spaces of a castle across multiple decades and in the spaces of memory.

150_phototornado2

200 Castles (2014-), Caitlin Fisher

Created in Unity using the Vuforia plug-in, 200 Castles is an augmented reality piece for iPad about time, longing, and magical spaces set in both the domestic spaces of a castle across multiple decades and in the spaces of memory.

selfportrait_webfinal

Transient Self-Portrait (2012), María Mencía

Transient Self–Portrait is an interactive work exploring ways of reading in the electronic medium, while investigating concepts of the digital self through coding for interaction aesthetics and poetics. I have taken as the point of departure two pivotal sonnets in Spanish literature

selfportrait_webfinal

Transient Self-Portrait (2012), María Mencía

Transient Self–Portrait is an interactive work exploring ways of reading in the electronic medium, while investigating concepts of the digital self through coding for interaction aesthetics and poetics. I have taken as the point of departure two pivotal sonnets in Spanish literature