1. A throw of the dice

jacobs_semantic

Fluidal [from Semantic Disturbances] (2005), Andreas Jacobs

Reinforcing changing attitudes and roles toward art, religion and technology. Experimental research using Google search results. Textual fragments found on the Web are programmatically rearranged, deformed or crushed, deconstructing and re-contextualizing the actual text. By applying this strategic process new,

jacobs_semantic

Fluidal [from Semantic Disturbances] (2005), Andreas Jacobs

Reinforcing changing attitudes and roles toward art, religion and technology. Experimental research using Google search results. Textual fragments found on the Web are programmatically rearranged, deformed or crushed, deconstructing and re-contextualizing the actual text. By applying this strategic process new,

montfort_strickland_sasb_1_

Sea and Spar Between (2010), Nick Montfort & Stephanie Strickland

Sea and Spar Between is a poetry generator which defines a space of language populated by a number of stanzas comparable to the number of fish in the sea, around 225 trillion. Each stanza is indicated by two coordinates, as

montfort_strickland_sasb_1_

Sea and Spar Between (2010), Nick Montfort & Stephanie Strickland

Sea and Spar Between is a poetry generator which defines a space of language populated by a number of stanzas comparable to the number of fish in the sea, around 225 trillion. Each stanza is indicated by two coordinates, as

last_performance2_1_

The Last Performance (2007), Judd Morrissey

The Last Performance [dot org] is a constraint-based collaborative writing,  archiving and text-visualization project responding to the theme of lastness in relation to architectural forms, acts of building, a final performance, and the interruption (that becomes the promise) of community.

last_performance2_1_

The Last Performance (2007), Judd Morrissey

The Last Performance [dot org] is a constraint-based collaborative writing,  archiving and text-visualization project responding to the theme of lastness in relation to architectural forms, acts of building, a final performance, and the interruption (that becomes the promise) of community.

Snap 2015-07-22 at 10.45.32

Telescopio (2011), Benjamin R. Moreno Ortiz

After a century of its publication, Mallarmé’s “Un coup de dés jamais n´abolira le hasard” (1897) is still an enigma. Telescopio is an attempt to explore the Mallarmean skies as the referential cartography of modern poetry’s journey towards its explosion on

Snap 2015-07-22 at 10.45.32

Telescopio (2011), Benjamin R. Moreno Ortiz

After a century of its publication, Mallarmé’s “Un coup de dés jamais n´abolira le hasard” (1897) is still an enigma. Telescopio is an attempt to explore the Mallarmean skies as the referential cartography of modern poetry’s journey towards its explosion on

ruitorres_poemas

Poemas no meio do caminho (2009), Rui Torres

Poemas no meio do caminho is a set of programmed poems that allow readers to change and manipulate the texts. Sound is randomly generated, live-mixing voices and sound textures. The horizontal version is a 3D panorama that the reader can

ruitorres_poemas

Poemas no meio do caminho (2009), Rui Torres

Poemas no meio do caminho is a set of programmed poems that allow readers to change and manipulate the texts. Sound is randomly generated, live-mixing voices and sound textures. The horizontal version is a 3D panorama that the reader can

evolution

Evolution (2014), Johannes Heldén & Håkan Jonson

Evolution is an online artwork-in-progress designed to emulate the texts and music of poet and artist Johannes Heldén, with the ultimate goal of passing “The Imitation Game Test” as proposed by Alan Turing in 1951. With Evolution we aim to

evolution

Evolution (2014), Johannes Heldén & Håkan Jonson

Evolution is an online artwork-in-progress designed to emulate the texts and music of poet and artist Johannes Heldén, with the ultimate goal of passing “The Imitation Game Test” as proposed by Alan Turing in 1951. With Evolution we aim to